Sunday was one of those August days that draw tourists to Maine in the summer. Warm weather—around 80°—combined with low humidity and sunshine made for a perfect afternoon on the patio. As it turned out, we had invited our friend Jill over for drinks and appetizers, and we were thrilled that the weather gods decided to smile on us. Yes, we could have had drinks and appetizers inside, but how nice to sit on the patio and watch the birds flutter in out and of the woods as they visited the bird feeders.
A beautiful August summer afternoon in Maine. When the rain and cold and snow come, I will try to keep this day in my heart, to be warmed by the memory of good food and good conversation.
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From the Department of Good News
In this time of climate change when some people suffer from too much heat and others from too much rain, reading good news provides welcome relief. In her post “This week’s Small Pleasures #348,” my blogging friend Barbara of Thistles and Kiwis wrote about how bird counts are up in Wellington, New Zealand. Way, way up. Some by as much as 260%. If my knees weren’t so creaky, I would jump for joy.
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Listening: Poetry Reading at Greene Block + Studio in Waterville, Maine
Self-Portrait as Homestead by Jeri Theriault
Last Friday, I went to Waterville to hear Jeri Theriault read poetry from her terrific new book Self-Portrait as Homestead. Like me, Jeri is Franco-Amercan, and she also grew up in Waterville, a small mill city by the Kennebec River.
It gave me great pleasure to hear Jeri use the word “mémère” (grandmother) in her poetry. And what a thrill that the title of one of her poems comes from a street in Waterville’s South End, where I lived as a baby and visited every week as a child. My home, my geography, my ethnic group. While Jeri Theriault’s poetry ranges far from Waterville—to Iwo Jima and the Middle East—for me, Waterville was the center that rippled outward to other places. Perhaps someone not born and raised in Waterville would have had a different take, but that is what stayed with me no matter how far Jeri roamed in her poetry.
To add to the mood of the reading, Jeri’s husband Philip Carlsen and his son Mel played music between the poetry—Philip on the cello and Mel on the piano. So lovely, so lovely.
Jeri asked that the applause be held until the end, and she spoke about each poem, telling the audience how her poetry wasn’t memoir, which allowed her to use some artistic license; how she thought of the “self as house”; how the book was “supposed to be all feminist poems,” but somehow her father crept in. Jeri filled in her father’s silence with her own words as well as ones taken from a local newspaper article about his time in Iwo Jima.
After the reading, editor and journalist Bob Keyes had a conversation with Jeri, which illuminated her poetry and her process.
From her moving poetry to the music to the conversation, this was one of the best poetry readings I have ever been to. I bought Self-Portrait as Homestead, and instead of shelving it with my poetry collection, I will be tucking this one among my Franco-American books.


















































