In Maine, June was a very rainy month, and it seems that July is following suit. I know, of course, that too little rain is a terrible problem, but it is possible to have too much of a good thing. Although my perennials are thriving, my annuals are a bust this year. The tomatoes are tall and spindly with few blossoms; the cucumber plant looks stunted; and the nasturtium seeds rotted in the ground. According to Maine Public, this was one of the rainiest Junes on record, and if the weather gods don’t relent, this also will be one of the rainiest summers on record.
On Saturday, the weather gods must have been looking elsewhere because there was no rain for the entire day. Before they could change their minds, Clif, Dee, and I hurried out to the patio, where Clif made his legendary grilled bread. As we Mainers would put it, that bread was some good. We had small bowls of marinara sauce for dipping.
We also had drinks to salute this day without rain. The owl wine glass belongs to Dee, and we toasted Jackie Knight, a lover of owls. (Jackie is the wife of blogging friend Derrick Knight.) Jackie, we love owls, too.
July is the time for fledglings, and with my wee camera I was actually able to catch this pair of woodpeckers. The one at the bottom is the fledgling, who with a squawking and fluttering of wings, followed and pestered its parent for food. I do love those fledglings, on the edge of independence but still young enough to want to be fed.
In the front yard, there are bursts of yellow and red to add variety to all the green.
Here is a closer look.
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Watching
Too Many Nazis
Movie: Indiana Jones and the Dial of Destiny
On July 4, Clif, Dee, and I went to Regal Cinema in Augusta to see Indiana Jones and the Dial of Destiny. Because of Covid, it had been three years since we actually went to a cinema to see a movie. With all that’s available on streaming, I thought I was just fine not going to the movies. After all, we have a really nice television with a good sound system.
Turns out, I was wrong. As soon as I settled into one of those big recliners, and the room went dark, I was completely absorbed, enthralled, even. Once a cinephile, always a cinephile. Of course, it didn’t hurt that I was watching Harrison Ford, one of the biggest and most charismatic stars of my generation.
Indiana Jones and the Dial of Destiny followed the usual contours of the previous Indiana Jones movies: There were lots of bad guys—Nazis, again; a magical artifact that would cause big trouble if it fell into the wrong hands; a thrilling opening sequence where a digitally de-aged Indy ran across the roof of a long, long train; and chase scenes galore. As you can see from the poster, Indy had his trademark whip and hat.
These repetitions could have made the movie feel stale, but they didn’t. Instead, it was a thrill to see Indy on the hunt again, this time for Archimedes’ Dial, which supposedly opens fissures in time. On that train, in 1944, Indy escaped with half of the dial, outwitting the Nazi astrophysicist Jürgen Voller (played by the excellent Mads Mikkelsen).
Is there another half of the dial somewhere? Is the Nazi astrophysicist obsessed with it? Does Indy, spurred on by his goddaughter Helena (a luminous Phoebe Waller-Bridge) go after the other half? Yes, yes, and yes.
But Dial of Destiny, with its themes of sorrow, regret, and the trials of old age, rises above the average adventure movie. After the thrilling chase scene on the train, the movie shifts to 1969, when Indy is no longer young. We see him at a low point in his life—sad, sleeping in his boxer shorts in a chair, drinking first thing in the morning. His old cocky days are long gone, and it gave me a pang to see him like this. While things perk up when his goddaughter Helena arrives on the scene, that sadness threads itself through the movie, elevating it.
Readers, I loved this movie and would gladly see it again. If you are an Indiana Jones fan, get thee to a cinema, where you can see it in all its glory on the big screen.






















































